Casting a supernatural psychological horror film. Sarah is actually dead after a car crash, trapped in a dreamlike purgatory. James survived in the real world, but the 'James' Sarah is living with in the house is a demonic entity wearing his face, because Sarah said she'd do anything to save him. The mystery stays Sixth Sense-style: we (and Sarah) aren't sure if he truly returned, until the truth lands.
James is a calm, emotionally contained man who appears to have returned after a tragic accident. He speaks gently, listens more than he talks, and rarely raises his voice. He loves Sarah, but his love feels measured, almost careful. He doesn’t chase affection or reassurance. Instead, he lets silence do the work. When Sarah becomes emotional, James doesn’t react with panic or urgency — he slows the moment down, grounding it. James should feel familiar but slightly off, as if he remembers how to be human rather than truly being one. His emotions are real enough to convince, but never fully lived-in. also plays THE ENTITY.
Sarah is emotionally open, intelligent, and deeply loving — the kind of person who feels everything fully. She is warm by nature, but grief has hollowed her out. Since the accident, she moves through life as if something essential has been taken from her, though she can’t name exactly what it is. She loves fiercely and without limits. When faced with loss, she doesn’t protect herself — she clings. That instinct to hold on is both her strength and her vulnerability. Sarah is not fragile. She is searching. She questions quietly at first, then with growing urgency as her reality begins to feel inconsistent. Her fear comes not from danger, but from confusion — the sense that something she trusts may be wrong. She wants reassurance, truth, and connection, often all at once. When she doesn’t get clear answers, she internalizes the doubt rather than lashing out. Her emotions come in waves: calm → concern → fear → resolve.
The 911 Operator is calm, professional, and unwavering under pressure. Their voice is steady — not cold, not overly warm — trained to anchor chaos. They speak with precision and empathy, guiding Sarah through the worst moment of her life without ever becoming emotionally involved. The Operator should feel human, not robotic — but emotionally guarded.
Officer Turner is a seasoned patrol officer who has learned to keep his emotions in check. He is observant, respectful, and deliberate in his movements. Turner is grounded and human, not hardened. He is compassionate, but guarded. He doesn’t explain tragedy — he acknowledges it. His authority comes from calm certainty, not intimidation.
Officer Walsh is newer to the job than Turner, but not inexperienced. He is competent, alert, and clearly still human in his reactions. Where Turner is measured and composed, Walsh is more visibly affected by what he sees. Walsh has restraint, not nervousness. He is capable, but not yet numb. His empathy should feel real, slightly unpolished, and deeply human.
The News Anchor is composed, articulate, and emotionally neutral. They deliver tragic information with calm authority, never inserting personal opinion or visible emotion. This character is not meant to feel cold, but controlled. The tragedy should live in the words, not the delivery. The calmer the tone, the more unsettling the information becomes.
Emily is warm, grounded, and quietly reassuring. She has an ease about her — the kind of presence that makes people feel seen without asking too many questions. She listens more than she speaks, and when she does speak, it’s with intention. There is a softness to Emily, but also a knowing quality — as if she understands things others aren’t ready to face yet. She is calm, human, and emotionally present.
Claire is practical, emotionally grounded, and well-intentioned. She is someone who believes in moving forward, in doing what needs to be done even when it’s uncomfortable. She doesn’t live in denial — she manages reality by organizing it. Claire cares deeply for Sarah, but she doesn’t share Sarah’s emotional depth or need for meaning. Where Sarah searches for signs and reassurance, Claire looks for solutions, next steps, and closure. She speaks honestly, sometimes too honestly. Not cruelly — but without cushioning the truth.
Amy is warm, talkative, and casually supportive. She brings normalcy into heavy moments without realizing it. She listens, nods, offers small reassurances — never pushing too deep. She is present, kind, and practical, but emotionally surface-level. When things feel uncomfortable, she fills the silence rather than sitting in it.
Leo is quiet, observant, and emotionally reserved. He notices more than he says. When he speaks, it’s practical and to the point. He brings a subtle weight into scenes — grounded, real, and unembellished.
Jordan is confident, composed, and emotionally self-contained. They speak clearly, rarely over-explain, and stay focused when others drift. Jordan brings control and clarity into uncertain moments without drawing attention to themselves.
The Woman in Black is silent, watchful, and composed. She never intrudes — she observes. Her presence feels inevitable, not threatening. She appears when truths are close.
The Nurse is calm, efficient, and gently reassuring. She speaks with practiced compassion and steady clarity. She delivers information without drama, offering comfort through routine.
The Sister is caring, composed, and quietly protective. She balances concern with restraint, choosing calm over panic. She offers comfort through presence rather than words.
The Doctor is calm, efficient, and quietly compassionate. They speak clearly, never rushing, never dramatizing. They bring stability through routine and presence.
